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Jun. 7th, 2008 @ 07:59 am The now explosion
Current Mood: saturday!
Current Music: The Shrunken Planet on WFMU

I'm on vacation!

This should have been the time that I wound down my duties at work, and passed everything over to the folks in Europe, but it looks like lingering contractual obligations to some (mostly non-Europe) clients are leaving me in limbo — there's seemingly no one left in the company who can handle their cases. The Europers won't.

But, for the next ten days, barring any sudden crises, I'm going to try to put it out of my mind. We're road-tripping to Toronto.


I tend to doze off at night to WNYC's broadcast of On Point, a show I term "the second most depressing talk show on radio" — John Batchelor's return to the air (on WABC and KFI, Sunday nights) means that he has reclaimed the top spot. Last night's On Point featured an attempt at lighter fare for an hour: "Count Basie and the American Soundtrack".
It was a time of Depression and FDR, Joe Louis and Amelia Earhart. It had a soundtrack. And Count Basie was a huge part of it.

Do we have a soundtrack today? Gnarls Barkley? Beck?
And I'm thinking, this is a ridiculous Freedom Rock view to take.


I doubt that folks in the early heyday of the Basie band thought in terms of having a collective soundtrack to their lives; it seems more a construct of later decades — a means of selling Pepsi to The Pepsi Generation, or Glenn Miller's greatest hits to their parents and grandparents, or NOW That's What I Call Classic Rock! shovelware to their children and grandchildren. (Plus, "everything ever recorded" is theoretically at our fingertips, to an extent unthinkable in previous generations. I've now heard Gracie Allen's singing voice. I love her so much that I'm willing to forget having heard her sing.)

My mother and grandfather-in-law were of different ages in 1938, child and adolescent, respectively, and they no doubt heard some Basie on the radio back then, and grooved to his music in later decades, and would groove to it now, were I to put on a Basie CD. It was my parents' love of the music that made it a part of my '60s soundtrack, not quite as much a presence in my life back then as JohnPaulGeorgeAndRingo, or "Build Me Up, Buttercup" or Ramsey Lewis' "The In Crowd" (now resurrected on Don Imus' TV simulcast), but present nonetheless. And the Allman Brothers music that was foisted on me by AOR stations back in the day, well, it's present now (and this time around I actually like it!), no need of any help from NOW!

But enough of this collective hallucination of some narrow array of supposed era-defining musics. 1938 (or so) was probably also about Dennis Day or Xavier Cugat, or Mahalia Jackson or Roy Acuff, depending on where you sat. That '30s was part of my '70s. NOW!Now here's some '60s music. (Eat your damn paisley, you dirty hippies!)

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sybille
Mar. 29th, 2008 @ 09:17 am Eartrip #1
Current Mood: bizzie
Current Music: teh local morning show

Issue #1 of Eartrip — out now! All hail the Portable Document Format!
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fitzcarraldo
Feb. 11th, 2007 @ 12:09 pm Favorite piece of music licensing for the week
Current Music: real-estate porn on HGTV

Just seen/heard on HGTV: the Buzzcocks' "Everybody's Happy Nowadays", in an ad for the AARP. Punk's not dead, it's just looking at condos in South Florida.
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punk 2
Oct. 22nd, 2006 @ 10:01 am Teddy Ballgame, back at the plate
Current Mood: unblingtastic!
Current Music: The Reggae Schoolroom on WFMU

I think J-Zed has produced a fine TV commercial for his blingtastic unretirement. But that's about it. I resume channel-surfing.
Favorite song of the moment: Peter Tosh's "I'm the Toughest", a circa-1966 single (while The Wailers were on Bob-in-the-USA hiatus?), played a few minutes ago on a Tosh-filled Reggae Schoolroom on WFMU (it would have been his birthday last Thursday); it reminded me of the some of the handful of early-disco tunes I liked in the mid-70's.
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desi
Sep. 9th, 2006 @ 09:50 am Newk's Not-Fadeaway (or, I want my Sonny TV)
Current Mood: mmmm! more coffee!
Current Music: my wife's voice


Sonny Rollins is 76 this week, and his website is featuring, for the next few days, a set of Google videos from past (and present) performances, dating back to 1957; there's even one from the 1962 Our Man in Jazz quartet with Don Cherry. Two-thirds of the nine videos are taken from European TV appearances; I don't know if that says something about his (or the music's) standing in the US, or about yanqui commercial TV, or about licensing issues.

A birthday present for us all, nonetheless. This is all, I suppose, part of the promotion for Mr. Rollins' new CD Sonny, Please, the first release from his new label, Doxy.
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fitzcarraldo